theater


For Those Still Hungering for ‘Hamilton,’ a New Indulgence

For Those Still Hungering for ‘Hamilton,’ a New Indulgence

Lin-Manuel Miranda, left, and David Korins are part of the team behind a new interactive exhibition based on Mr. Miranda’s Broadway musical “Hamilton.”

Robert O’Hara Thinks ‘Men Are Stupid.’ His New Play Shows Just How.

Robert O’Hara Thinks ‘Men Are Stupid.’ His New Play Shows Just How.

“In satire, you sort of imagine the unimaginable,” said Robert O’Hara, whose new play, “Mankind,” envisions a world without women.

Review: Surprise Lessons From John Lithgow’s ‘Stories by Heart’

Review: Surprise Lessons From John Lithgow’s ‘Stories by Heart’

John Lithgow in his one-man show “Stories by Heart” at the American Airlines Theater.

Review: Song Trumps Senility in the Angry ‘Allelujah!’

Review: Song Trumps Senility in the Angry ‘Allelujah!’

Residents of a geriatric hospital ward in a scene from “Allelujah!,” Alan Bennett’s new comedy at the Bridge Theater in London.

Review: Eve Ensler Goes Deep ‘In the Body of the World’

Review: Eve Ensler Goes Deep ‘In the Body of the World’

Eve Ensler, sharing her experience of illness in the one-woman show “In the Body of the World.”

How Broadway Keeps Trying to Get the Disco Beat

How Broadway Keeps Trying to Get the Disco Beat

Ariana DeBose, center, in “Summer The Donna Summer Musical.” which features such hits as “Hot Stuff” and “I Feel Love.”

Review: Who Am I? ‘Panorama’ Says There Is No Easy Answer

Review: Who Am I? ‘Panorama’ Says There Is No Easy Answer

Valois Mickens in “Panorama,” a multimedia production from the Italian troupe Motus, at La MaMa.

A Show About Indigenous Canadians Has a Glaring Omission: Indigenous Canadian Actors

A Show About Indigenous Canadians Has a Glaring Omission: Indigenous Canadian Actors

For the second time this month, the Quebec theater director Robert Lepage is facing criticism over the casting of a show.

Review: ‘Smokey Joe’s Cafe’ Is a Feast of Pop Nostalgia

Review: ‘Smokey Joe’s Cafe’ Is a Feast of Pop Nostalgia

Kyle Taylor Parker, center, holding the title prop of the song “Love Potion No. 9” in “Smokey Joe’s Cafe: The Songs of Leiber and Stoller” at Stage 42.

Tennessee Williams, Restless and Revising

Tennessee Williams, Restless and Revising

Clockwise from top left: Tennessee Williams in New York in 1965; a typescript of “The Glass Menagerie”; a program for “A Streetcar Named Desire”; a self-portrait; a window card for “Cat on a Hot Tin Roof” on Broadway; a typescript draft related to the foreword for “Orpheus Descending.”

Molière the Entertainer vs. Serious Molière

Molière the Entertainer vs. Serious Molière

“L’Avare” at the Odéon-Théâtre de l’Europe in Paris.

Review: ‘Mean Girls’ Sets the Perils of Being Popular to Song

Review: ‘Mean Girls’ Sets the Perils of Being Popular to Song

Erika Henningsen as Cady Heron in the musical “Mean Girls,” adapted by Tina Fey from her screenplay for the cult-favorite 2004 film.

Review: ‘Fire in Dreamland’ Is a Parable of Love and Licorice

Review: ‘Fire in Dreamland’ Is a Parable of Love and Licorice

From left, Kyle Beltran, Enver Gjokaj and Rebecca Naomi Jones in “Fire in Dreamland,” Rinne Groff’s new play at the Public Theater.

Review: In a Teenage Take on ‘Richard III,’ Now Is the Prom of Our Discontent

Review: In a Teenage Take on ‘Richard III,’ Now Is the Prom of Our Discontent

Tiffany Villarin, left, is pursued by Gregg Mozgala, as a young version of Richard III, in “Teenage Dick,” a Ma-Yi theater production.

Glenda Jackson on Quitting Parliament, Playing Lear and Returning to Broadway

Glenda Jackson on Quitting Parliament, Playing Lear and Returning to Broadway

Glenda Jackson, taking a break from rehearsals for “Three Tall Women,” which will mark her return to Broadway after 30 years.

From Three Troubled Lives, a Play and a New Family

From Three Troubled Lives, a Play and a New Family

Lucy Thurber with Alexander Lambie, left, and Cesar Rosado, two students who inspired her play “Transfers.”


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