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Does It Matter if You See a Film in a Theater or at Home?

Does It Matter if You See a Film in a Theater or at Home?

Watching movies at home is at the center of the Cannes-Netflix clash, but everyday viewers have a stake, too.

Review: ‘Eating Animals’ Skewers Factory Farming

Review: ‘Eating Animals’ Skewers Factory Farming

A scene from the documentary “Eating Animals,” directed by Christopher Quinn.

Review: This ‘Destination Wedding’ Does No One Any Favors

Review: This ‘Destination Wedding’ Does No One Any Favors

Keanu Reeves and Winona Ryder in "Destination Wedding."

Review: In ‘Have a Nice Day,’ a Follow-the-Money Tale in China

Review: In ‘Have a Nice Day,’ a Follow-the-Money Tale in China

A scene from “Have a Nice Day,” an animated film by the Chinese director Liu Jian.

Daniel Kaluuya Isn’t Waiting for Your Approval

Daniel Kaluuya Isn’t Waiting for Your Approval

Daniel Kaluuya in London in December: “I am definitely not a household face,” he said.

‘First Reformed’ Asks, Can God Forgive Us? Its Director Has an Answer

‘First Reformed’ Asks, Can God Forgive Us? Its Director Has an Answer

“First Reformed” asks: Can God forgive us? Paul Schrader, the writer-director, says, “The secular answer is he has to; that’s why we made him.”

Review: In John Krasinski’s ‘A Quiet Place,’ Silence Means Survival

Review: In John Krasinski’s ‘A Quiet Place,’ Silence Means Survival

The director John Krasinski narrates a sequence from his film, in which he stars with Emily Blunt.

Review: ‘Let the Sunshine In’ Shows the Complex Radiance of Juliette Binoche

Review: ‘Let the Sunshine In’ Shows the Complex Radiance of Juliette Binoche

Juliette Binoche as Isabelle, a Parisian artist, in “Let the Sunshine In.”

The Women Who Run the ‘Star Wars’ Universe

The Women Who Run the ‘Star Wars’ Universe

Kiri Hart, head of the Lucasfilm story group. “As a writer I was very hungry to create female characters who felt real,” she said.

Review: In ‘Golden Exits,’ Ties That Bind (and Cut Too)

Review: In ‘Golden Exits,’ Ties That Bind (and Cut Too)

Mary-Louise Parker, left, and Chloë Sevigny play sisters in Alex Ross Perry’s “Golden Exits.”

Made of Blue Felt and Working Blue, Too: Dirty Puppets on the Big Screen

Made of Blue Felt and Working Blue, Too: Dirty Puppets on the Big Screen

Joel McHale with a felt antagonist in “The Happytime Murders.”

Fewer Women Directed Top Films in 2018, Study Finds

Fewer Women Directed Top Films in 2018, Study Finds

Keira Knightley, center, in “Colette,” the rare 2018 film that featured women in key roles behind the scenes.

Specializing in Ordinary Ordeals

Specializing in Ordinary Ordeals

Jean-Pierre Dardenne, left, and Luc Dardenne.

Wakanda for Oscar?

Wakanda for Oscar?

Ryan Coogler with some of his “Black Panther” department heads: from left, the cinematographer Rachel Morrison, the costume designer Ruth E. Carter and the production designer Hannah Beachler.


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