Mark Stone with Lauren Snouffer in the opera “Written on Skin,” staged by Opera Philadelphia.
Left, an image from the video for “All the Stars” by Kendrick Lamar and SZA; right, the painting “Constellation I” by Lina Iris Viktor.
John Copley’s production of “Norma” at the Metropolitan Opera in 2007. Mr. Copley has been fired from the Met’s revival of Rossini’s “Semiramide” after a complaint about “inappropriate behavior in the rehearsal room.”
Michael Hersch’s latest work, “I hope we get a chance to visit soon,” uses texts from emails he exchanged with a friend who died of cancer.
“Rest in Power: The Trayvon Martin Story” explores the teenager’s life and his deadly encounter with George Zimmerman.
A scene from “Narcos.”
When the wall is rubbed it makes music: “Tactile Orchestra” by Roos Meerman on display at the Cooper Hewitt Museum.
“Drei Pferde” (1912) by the German Expressionist painter Franz Marc.
Isaac Abrams painted the swirling motifs of “Après Hello Dalí” (1965), featured at Galerie Buchholz. The artist operated Coda, a 1960s gallery in Manhattan devoted to psychedelic art. Jutta Koether’s “The Necessity of Multiple Inconsistent Fantasies #14” (2008).
Julia Louis-Dreyfus and Tony Hale in “Veep.”
Eva Trapp rolling out her hip in Davis, Calif.
This summer Y’lan Noel has been a struggling producer on “Insecure” and an action hero in “The First Purge.”
From left, Wes Bentley and Chloe Sevigny in “American Horror Story: Hotel.”
Entering the Fergus McCaffrey gallery requires an act of Gutai participation: You step through a jagged hole in gold paper stretched across the doorway. This is a remake of
Saburo Murakami’s famous “Entrance” (“Iriguchi”) of 1955 — a collision of mind, body and art.
A note left by a fan at XXXTentacion’s memorial in Florida. Before he was killed in June, the 20-year-old rapper and singer made a $10 million deal for his third album.
Charles Grant, one of the performers, dances with the crowd at Nick Cave’s “The Let Go” at the Park Avenue Armory. Mr. Cave said he was inspired by his own disco days, when spending time in clubs was a refuge.
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