Posts Tagged ‘illustration and design in focus’

Art, Illustration And Design In Focus // Mr Frivolous

Friday, October 29th, 2010

Every so often, an email lands in my inbox that leaves me inspired. This week, an email for an artist who goes by the alias ‘Mr Frivolous’ had this effect. I was so intrigued by his work, as created primarily in felt-tip that I immediately responded with a list of interview questions.

Read on for a humorous interview on that alias name, his work and which artists he’d have brunch with etc.

1. Your info section on your site states that you use felt-tip as your medium due to the fact that you can buy a 24 pack for a pound at Poundland. Is this really why you use felt-tip and what other mediums have you interest in?

I probably only use Felt tip and marker pens because I’ve been using them since childhood. Its not as messy as paints. Once your done all you have to do is pop the lid back on and Kwame’s your uncle. But saying that I have been dabbling a bit with spray paints and stencils and I have this ever growing urge to pick up a paint brush. But We’ll see what happens.

2. What inspires your work?

Anything can inspire me. Arguments, frustration, stupidity, humour, heartache, women, my moods, music, fashion, to looking at other artists works old and new.

3. If you could have brunch with five artists,dead or alive, who would you choose?

There are probably hundreds of artists I wouldn’t mind having brunch with. But at this very moment I would say Basquiat, Gustav Klimt, Audrey Kawasaki, Tara McPherson and Raymond Pettibon. Would be interesting to find out why and how they all got into art and what else they would have done if they didn’t follow that path.

4. Story behind your art alias name, ‘Mr Frivolous’?

I really wish I could give you an amazing story behind this but its embarrassing really. When I was a younger I was convinced I was an MC. So I had to have a name. Why I decided on the name Frivolous baffles me to this day. But for some reason I really liked how it sounded. After a couple of years of trying to write lyrics (lets just say a word per year), reality slapped some sense into me and I then decided I would trade the ‘MC’ for ‘Mr’ and stick with art instead whilst still keeping the silly name FRIVOLOUS. I told you it was embarrassing.

5. Are the thoughts scrawled around each art piece part of the piece or are they critique as it were?

Id say it was definitely part of the art. Even if there is some self criticism involved. Its interesting to write down my moods at that moment. Even if I regret it later. Some times words will just fly into my head and I will try my best to create something based on that. But I do like to write exactly how I feel at the time of whatevers on my mind after I’ve done a piece. It probably a bit weird but its kind of like self therapy for me.

6. Your work is synonymous with?

If you mean who my work is similar to then I would say it is unique. But saying that I have read that my work reminds people of Raymond Pettibon. I like his work so that is cool!

Visit Mr Frivolous here

Kind thanks to Mr Frivolous for the interview.

Photo Credit: Art by Mr Frivolous, used with courtesy of Mr Frivolous.

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Art, Illustration and Design in Focus // John Paul Thurlow covers

Wednesday, August 4th, 2010

The precise lines of John Paul Thurlow’s work are instantly recognisable. The illustrator and artist is known for his cover illustrations. This body work includes a 100 strong collection of illustrations of his favourite magazine cover issues and record covers. His work includes illustrations of a host of covers in his precise, astoundingly realistic style.

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Photo Credit: Illustration by John Paul Thurlow. Courtesy of John Paul Thurlow.

The fact that John Paul Thurlow is able to recreate digitally mastered images in drawing is an incredible feat.

With each he adds his indelible mark by adding extra scribbles, thoughts and feelings. His work is also notable for showing the arduous process that is his work. Some of his illustrations are left incomplete.

His sheer technical skill is awe inspiring and it is no wonder that his clients the likes of the Gucci Group, ELLE etc.

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Photo Credit: Illustration by John Paul Thurlow. Courtesy of John Paul Thurlow.

In April 2010 he showed his work in his first solo exhibition at the debut Sketchbook Pop up Shop to rave reviews.

I was honoured to interview the talented illustrator on his Cover series project, his work to date and much more.

1. Hello John Paul, thank you for honouring Mariankihogo.com with this interview. A lot of my readers have come across your work at some point or the other via a blog or some other online medium but many of us do not know much about the man behind the cover illustrations. Who is John Paul Thurlow?

Oooh that’s a deceptively tough question to answer but to be honest I value anonymity. Everything you need to know about me is in my art and the Covers book.

2. What was inspired your Cover illustration project?

The idea for Covers has come to me more than once. First at college where I made a piece of art, which recreated the cover of the first 7” single I ever bought: Yes Sir I can Boogie by Baccara. And once again when I went on a retreat to Japan to escape London and all it’s shit. I was automatically drawing the contents of my room in order to forget stuff and there it was: a travel size British Elle on the low table. I just kept on drawing it… although I must admit I changed the title to fit my mood.

3. Your technical ability is incredible; do you see yourself as an Artist?

Thanks for compliment but I think there’s plenty more I can do to improve. Do I consider myself an Artist? Frustrated artist maybe, certainly for the longest time I felt a lot of dissatisfaction with the work I was being paid to create on a daily basis… so much so there came a point I couldn’t do it anymore (I suspect I am not alone in feeling like this).

I’m reluctant to give myself the moniker of ‘Artist’… so many assholes do that. I make Covers for myself so that’s Art for it’s own sake. I make artwork for the likes of Elle and I AM SOUND so that’s art in the service of business… I also art direct design and advertising which definitely is not Art… but is full of wonderful craft.

Now that you’ve made me think about it Marian I’d say that I enjoy very much occupying the space between Art and Design, Illustration and Fine Art. I don’t want to categorise myself.

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Photo Credit: Illustration by John Paul Thurlow. Courtesy of John Paul Thurlow.

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Photo Credit: I AM SOUND cover Illustration by John Paul Thurlow. Courtesy of John Paul Thurlow.

4. You had your first solo exhibition, ‘Covers’ at the Sketchbook Pop Up shop in April this year. What was this experience like for you?

Exhibiting is addictive. The Sketchbook crew made it very easy for me to take part… they really they spoilt me. It was a wonderful experience and I am incredibly grateful to them.

I was apprehensive prior to the private view, not about meeting people (which was great fun) but having the original drawings outside of my possession for a month worried me. The drawings are fragile things. Every time they are touched they are damaged a little. It’s inevitable I suppose.

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Photo Credit: ‘Something for the future’ illustration by John Paul Thurlow. Courtesy of John Paul Thurlow.

5. What has the reception from the Magazines immortalised in the Covers project been like?

Every single contact I’ve had with the magazines and photographers who I’ve drawn from has been positive, enthusiastic and full of encouragement. I’ve met some incredible people through Covers.

I always do my best to credit those involved in the creation of the originals. The project is in a way an homage to their work. And although some of the drawings have been ripped-off by t-shirt makers and the like, I’ve always refused to get involved with schemes to make money from mass reproduction of the Covers.

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Photo Credit: Illustration by John Paul Thurlow. Courtesy of John Paul Thurlow.

6. I have read that you are working on a book that encompasses your Covers project. Can you tell us a bit about it and when it will be on shelves?

I’m really excited about the book, as I’ve always seen it as the true culmination of the project: The Covers book is a limited edition art object. There will be a limited run of 100 copies each of around 300 pages. It contains all the Covers drawings accompanied by my diary of the project, full transcripts of major interviews, acknowledgment of all who have supported me, and so on.

I’ve called-in favours from some very good friends. Curator Zelina Garland has written the foreword. Photographer David Rowan has taken studio photography. And designer Reza Kay has created a wonderful design; a hybrid of high-end fashion magazine and artist’s monograph.

7. If you could have dinner with any five artists and illustrators dead or alive, who would they be?

I would have to say Helen Thurlow, the American illustrator who drew the cover of the first ever British Vogue in 1916. I would love to know more about her life, the Thurlow family in the United States at the turn of the century. I think her flamboyant personality and proto-feminist beliefs would make for good conversation.

I would love to spend time with the British artist Richard Hamilton who I met once whilst I was at college. He has spent a lifetime exploring art and design. I know I could learn a lot from the man who coined the term Pop Art.

Grace Coddington the creative director of Vogue US, and the writer (and sometimes illustrator) Alan Moore would be on the list. I’d like to invite an old master but would have a tough time choosing between Jean Auguste Dominique Ingres and Giacomo Piazzetta. The thought of being taught drawing by either of them fills me with exhilaration and trepidation in equal measure.

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Photo Credit:Auguste Dominique Ingres self potrait.

8. You have worked on a variety of commissions and collaborations. What has been your favourite to date?

I only choose to work on collaborations that I find interesting with people I find inspiring, that makes it easy for me answer that every collaboration has been a favorite in it’s own way… but that also sounds like a cop-out. If I am totally honest the sight of my work in Elle magazine was truly awesome as Elle was the first Cover I tried to draw in Japan… it felt like something was coming full circle.

Absolutely yes. It is the autobiographical element in my work. It takes guts to bear even a little of yourself publicly but I hope it elevates the work beyond mere copying. I hope the viewer senses something intimate and poetic.

It’s about creation and destruction. I aspire for perfection (because I am entranced by the original) but the closer I get to it the more hollow I find my reproduction, this causes frustration to build… it happens almost every time… and I have the desire to project my feelings good or bad into what I’m doing. When working I think it’s best to just follow one’s heart and not over-think it… maybe the truth of it is I find drawing one of the most enjoyable things in life.

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Photo Credit: Illustration by John Paul Thurlow. Courtesy of John Paul Thurlow.

11. What does the future hold for your work and are there any projects or collaborations that my readers need to keep an eye out for?

An exhibition of all 100 Cover is on the cards, in London at the KesselsKramer Outlet. I intend to draw some record covers, the odd magazine and a hell of a lot more figure drawings and fashion illustration.

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It was such a revelation reading his answers. I am in awe of John Paul Thurlow’s illustrated covers and the sheer effort put into them.

His work speaks for itself in loud volumes.

I am looking forward to his 100 covers exhibition.

See more of his work here.

Kind thanks to John Paul Thurlow for granting this interview.

Read the rest of the Art, Illustration and Design in Focus segment here.

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Art, Illustration And Design In Focus // Joe List of The Annotated Weekender

Wednesday, June 9th, 2010

The Annotated Weekender is a blog that sees Joe List illustrate witty doodles of everything from food inhabiting monsters to other unexpected creatures all over pages of the popular Guardian newspaper’s Weekend magazine.

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Photo Credit: Guardian weekend. ‘Chips’ Illustration by Joe List.

From soup monsters to a can of animated baked beans.

The Annotated weekender takes your average newspaper moustache doodling on an unsuspecting face to new frontiers with humour and clever placement. The Guardian weekend is my go to weekend magazine so coming across The Annotated Weekender was a delight.

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Photo Credit: Guardian weekend. ‘Hide’ Illustration by Joe List.

Joe List, the hand behind the illustrations has also released a comic book.

I had to speak to Joe List to get behind thoughts on the newspaper doodle illustrations and that first comic book.

1. Thank you for the interview, how did you first start illustrating over the Guardian weekend magazine?

I was buying the Guardian every Saturday, but only really reading a few articles, (Ben Goldacre, Polly Toynbee, Charlie Brooker) so it became a way of getting more out of it. The first week I was on a train just having a doodle. When I got home I put them on a blog & that was that.

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Photo Credit: Guardian weekend. ‘Patchey’ Illustration by Joe List.

2. From hat wearing potatoes, seemingly elastic people to soup dwelling monsters, your doodles feature a host of monsters/creatures. How did they come to life and where do you draw your inspiration for them?

My favourite doodles have been ones I’ve drawn up without much prior thought. I like being surprised by good mistakes.

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Photo Credit: Guardian weekend. ‘Toms’ Illustration by Joe List.

3. What about newspapers as a medium do you find so interesting to illustrate over?

There is usually a good amount of white space in the weekend magazine, which from a design background, is fantastic. They tend to use a fair bit of isolated imagery and there’s always some well shot food or garden photography too. There is rarely a week where I struggle for interesting imagery.

I’d use other parts but the paper in the weekend magazine is less absorbent and so better for more interesting pens.

4. Your first comic book is available at Freak Leap; please tell us a bit about.

I put Freak Leap together late last year, it started out as a bunch of stories I’d drawn up in sketchbooks. There are four short adventures and some little strips. People seem to like it.

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Photo Credit: Guardian weekend. ‘Cheers’ Illustration by Joe List.

5. You doodles transform the most mundane run of the mill newspaper pages and adverts with canny placement, ingenious use of space and wit. Do you immediately know what to turn each page into?

Sometimes it’s obvious to me, other times I just start drawing and hope for the best.

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Photo Credit: Guardian weekend. ‘Catbag’ Illustration by Joe List.

6. Are the people at the Guardian weekend aware of your work and if so, what were their thoughts?

From what I’ve heard they like it. They’ve started to retweet it, which is both unexpected and wonderful. I should add that Jonathan Edwards, who illustrates for The Guide, has been incredibly supportive.

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Photo Credit: Guardian weekend. ‘Relax’ Illustration by Joe List.

7. What does the future hold for your comics and illustrations?

More comics, I’ve starting putting together mini comics called GUTS but I’ll hopefully have another Freak Leap by the end of the year.

8. On a last note, how would you describe your work in five words?

Stupid drawings for your pleasure.
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Photo Credit: Guardian weekend. ‘Rat chair’ Illustration by Joe List.

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Joe List’s doodles are incredibly clever with shrewd placement and humour. This makes the site a regular must visit. I look forward to seeing List’s future projects.

Visit The Annotated Weekender here and Freak Leap here.

Kind thanks to Joe for the interview.

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Art, Illustration & Design in Focus // Daisy de Villeneuve

Wednesday, February 24th, 2010

If you have not seen Daisy de Villeneuve’s illustrations, you must have been living in cave in the middle of nowhere. Her work has bedecked everything from Transport for London travel wallets, lust inducing Moet & Chandon champagne boxes, Topshop shoe boxes to the pages of Vogue etc.

The Parson’s School of Design graduate (she attended the prestigious school in both Paris and New York) is a much loved illustrator.

British Illustrator, Daisy de Villeneuve primarily uses felt tips to create distinctly bold and graphic drawings.

Her clients have included Topshop (her shoe box designs for them were a hit!), ELLE Decoration, British Vogue, Lula Magazine, the Victoria & Albert Museum (V&A), Transport for London, Browns Focus, Nike, Colette and so much more.

She has exhibited her work in London, Tokyo and New York. In 2004 she held a notable solo show at London’s Fashion and Textile Museum.

Her talent is no surprise, as she is from creative stock. Her father, Justin de Villeneuve is the legendary photographer who discovered and managed iconic 60’s model, ‘Twiggy’. Her mother is also leading 60’s model, Jan Ward.

Daisy has two delish illustration books to her name; ‘He Said, She Said’ and ‘I Told You So’. Both are super addictive, think unapologetically bold and witty vignettes. ‘I Told You So’ is the source of one my favourite quotes on enemies thinly disguised as friends(‘frenemies)… “What they all have in common is that they are of the same type: ‘Bitch’.”

When I first read that, I thought ‘Mean Girls’ eat your heart out.

Having been fascinated with Daisy’s work for a while, I am honoured to interview the talented illustrator.

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Photo Credit: Self Portrait of Daisy de Villeneuve. Courtesy of Daisy de Villeneuve.

Marian - Hello Daisy, Thank you for granting this interview. First and foremost, I am a big fan of your work. Congratulations on your successful career thus far.

Daisy - Thank you, that’s always nice to hear!

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Photo Credit: Daisy de Villeneuve for Topshop. Courtesy of Daisy de Villeneuve

1. Tell us a bit about your educational, creative and career background.

From the age of 14 I had wanted to live in New York. I’m half American & had spent a lot of time in the US over school holidays visiting relatives. My dream was to go to art school in New York, plus, I had watched too many episodes of Fame, too many Woody Allen films, loved the skyscrapers & yellow cabs.

I went to Parsons School of Design in NYC & then Paris, studying Fashion & Fine Art. After I graduated in 1999, I moved to London & was in a few group shows, then in late 2000 I was commissioned by Pocko Editions to do a book of my drawings, which later became “He Said She Said” published in 2001, later spotted by Topshop to illustrate their shoeboxes hence the career in illustration coming about.

2. How did you know illustration was your calling?

I didn’t. I ended up just falling into illustration by chance. Years ago when I first started someone asked me what I did for a career, I said I was an ‘illustrator’, there weren’t so many illustrator’s around back then (there’s always been fashion illustrators) but I was just ‘illustrator’, people were busy forging careers as stylists & illustration was so old school that I thought it sounded good, better than ‘artist’.

Plus everyone back then was doing illustration on the computer, which had become the norm, I was illustrating by hand. No photoshop for me, as I’m no computer wiz kid & I like the hand drawn element.

3. Your work is seemingly conversational and slightly documentary in its style. Is this intentional? Please share your thoughts.

Yes! I sometimes like to add some text to compliment the drawing, I think it takes it to another level makes the drawing come alive, adds a bit of personality (bit of mine I guess).

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Photo Credit: Daisy de Villeneuve rug design for Habitat’s VIP range. Courtesy of Daisy de Villeneuve.

4. Artists and creative’s are always being put into boxes (sometimes erroneously!) but how would you best describe your work?

I never want to be put into a box, I’m an illustrator but I’m also a designer & writer. I do have plans to explore other creative fields too, fashion, interiors & film, I don’t want to limit myself to solely being an illustrator, that would be very boring.

I’d like to grow artistically & sometimes when I get asked to do something that is say outside the box that can sometimes be a challenge for me. I may struggle at first & resist it but in the end it can really open me up creatively which is never a bad think.

5. Your use of colour is refreshing. What influences your colour palette?

I like bright colours that’s all. However, trips abroad can be inspiring, especially Mexico for me.

6. I find that your work is reminiscent of British artist, Peter Blake. Which artists have inspired you significantly thus far?

Oh cool. Yeah I’m a big Peter Blake Fan. I like all pop artists, that movement in particular. Love David Hockney, Andy Warhol & Robert Indiana. I also like Surrealism, Outsider Art & Folk Art. Also, really like Peter Beard’s work, the sketchbooks & photo’s. I’m very interested in photography too.

7. Your illustrations have adorned a host of respected brands, companies and products. Which has been your favourite commercial collaboration to date?

It’s hard to say which brand in particular as I have liked them all individually, but Moët & Chandon was fantastic as that job took me around the world with my work which is pretty cool, all because of my felt tip pens!

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Photo Credit: Daisy de Villeneuve for Moet & Chandon. Courtesy of Daisy de Villeneuve

8. If you could have 5 artists dead or alive to dinner, who would you invite and why?

Andy Warhol, David Hockney, Frida Kahlo, Man Ray & Salvador Dali for obvious reasons, I love their work.

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Photo Credit: Daisy de Villeneuve for Transport for London. Courtesy of Daisy de Villeneuve

9. I adored your books, how did they come about and is there a chance of another?

Thank you! As I mentioned earlier Pocko Editions commissioned me to illustrate a book & I had to come up with 110 drawings & text for a 99 page book, which later became, “He Said She Said”.

They had seen my work at Euforia, a boutique in Notting Hill, I was showing my graduation work & had about 14 He Said She Said drawings & that’s when they asked me if I could draw more.
As for another book, I’d like to do one at a later date, I just need to figure out the concept first but definitely on the cards.

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Photo Credit: Image from ‘He said, she said’ by Daisy de Villeneuve. Courtesy of Daisy de Villeneuve.

10. If you could illustrate for any iconic fashion label or fashion product (garment or accessory), you would chose?


I would love to illustrate for a timeless British brand, most of them. I don’t want to limit myself by picking just one.

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Photo Credit:Image from ‘I Told You So’ by Daisy de Villeneuve. Courtesy of Daisy de Villeneuve.

11. You have shown your work internationally to rave reviews. What does the future hold for you exhibition wise?

I’m about to have a solo show at Liberty in March (March 29th – April 25th 2010).
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Photo Credit: Daisy de Villeneuve image from upcoming D de V London show. Courtesy of Daisy de Villeneuve.

12. Any projects or collaborations in the pipeline?

I’ve just designed a range of candles called, Daisy Rose, 4 rose scented candles, they will be available at Liberty’s soon.

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Photo Credit: Daisy de Villeneuve Tuberose candle sample. Courtesy of Daisy de Villeneuve.

13. What does the future hold for your illustrations?

I’d like to see my work animated!

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Photo Credit: Daisy de Villeneuve for Boots. Courtesy of Daisy de Villeneuve.

13. What do you want your illustrations to be remembered as…

Colourful & fun. Hopefully make one smile & brighten up their day.

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Photo Credit: Daisy de Villeneuve’s signature. Courtesy of Daisy de Villeneuve.

Many kind thanks to Daisy for her amazing answers, her work always puts a smile on my face!

Do stay tuned for posts in near future on de Villeneuve’s upcoming solo show and 4 piece candle collection.

In the meanwhile, visit her site here.

Read the rest of the Art, Illustration and Design in Focus segment here.

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