
Photograph of Nicole Phelps, editor of Style.com by Alistair Guy. Copyright of Alistair Guy
Posts Tagged ‘Go see’
Go See // Across The Pond By Alistair Guy
Wednesday, May 2nd, 2012Go See // Jane McAdam Freud Family Matters
Friday, April 20th, 2012
Earthstone Triptych, 2011 by Jane McAdam Freud.
What
‘Family Matters’ by Jane McAdam Freud.When
24th April 2012 till 25th May 2012.Where
Gazelli Art House, 39 Dover Street, London, W1.Rundown
Jane McAdam Freud the daughter of the late famed portrait painter Lucian Freud and great-granddaughter of the famous Sigmund Freud, the founder of psychoanalysis headlines her first solo exhibition. Entitled ‘Family Matters’, it is an exploration of family relations through a comprehensive selection of work as the artist continues to grapple with what her family name represents. Her work which is underpinned with drawing tends to focus on sculpture (in his later years, Lucian Freud worked side by side with his daughter who taught him some sculpture techniques) that delves into theories founded by her great-grandfather and the subconscious. ‘Family Matters’ is a continuation of the theme of her ‘Lucian Freud, My Father’ at the Freud Museum. The artist has become notable for her choice of the materials and the connotations each bears for her. Her use clay is continual and mirrors (both seen in the ‘Earthstone Triptych, 2011′installation in above image) and for McAdam Freud the former connotes the cycle of life and death while the latter allows experiment with shadows and reflections. In the case of the above pictured installation, it allows the viewer to see the two sided central sculpture of her father. With one side showing his eyes open and the opposite side depicting in repose and significantly more aged. Jane McAdam Freud’s ‘Family Matters’ is open from 24th April 2012 till 25th May 2012 at Gazelli Art House. Further information here.Go See // Yayoi Kusama At Tate Modern
Sunday, April 15th, 2012
KUSAMA: Princess of Polka Dots documentary trailer. Video directed by Heather Lenz and produced by Heather Lenz and Karen Johnson via Kusamadocumentary.com
What
Yayoi KusamaWhen
9 February – 5 June 2012Where
Tate Modern. Bankside, SE1 9TG, London.Rundown
Japanese artist Yayoi Kusama has become renowned over the last seven decades for work that crosses the genres of abstract expressionism, surrealism, Pop Art and minimalism. Awarded the prestigious Praemium Imperiale Laureate for lifetime achievement in painting in 2006, She has become synonymous with her use of spots, exploration of infinity, fear and perception. Seeking to create and depict the hallucinations she has suffered (Kusama who is now in her nineties has voluntarily lived in a psychiatric hospital since 1977), her work spanning sculpture, painting, video art, live installation, drawing etc has examined obsessive compulsion through repeated motifs (spots, eyes, phalli, abstract organic like structures and forms). In the sixties Kusama (who moved to New York at 27) was one of the few women associated with the Pop Art movement, exhibiting with the likes of Andy Warhol. London’s Tate Modern is currently holding a retrospective exhibition. The large exhibition as supported by Louis Vuitton, spans nine decades of Kusama’s life starting right from her sketches as a child, her early work in Japan, her notable Self Obliteration project and art while in New York right through to her recent work. Her output over her career and life is phenomenal in volume, It is varied in style and medium over the decades but always distinctly Kusama.Information on the exhibition here. and see the Facebook page for the Kusama Documentary here.
Go See // Exorcising the Fear: Relive 1952 Venice Biennale
Monday, January 16th, 2012
Geoffrey Clarke, Man, 1951, The Ingram Collection
Exorcising the Fear.
11th January – 3rd March 2012.
Pangolin London, Kings Place, 90 York Way, London, N1 9AG.
The Gallery Pangolin presents Exorcising the Fear. The exhibition examines post second world war sculpture in Britain and the artists that were instrumental in its revival.
It includes work from the 1950′s and 1960′s by Lynn Chadwick, Eduardo Paolozzi, Kenneth Armitage, Reg Butler, Geoffrey Clarke, Robert Adams, Bernard Meadows and William Turnbull.
The title of the exhibition Exorcising the Fear, takes its name from the XXVI Venice Biennale of 1952 which saw the sculptors gain international acclaim.
More on the exhibition here.
Go See // Daisy de Villeneuve Design For Juicy Couture At Selfridges London
Wednesday, December 14th, 2011
Illustration by Daisy de Villeneuve. Courtesy of Daisy de Villeneuve
Daisy de Villeneuve Design For Juicy Couture At Selfridges London.
Wednesday 15th December, 2011. 4pm-8pm.
Juicy Couture, Selfridges London.
Illustrator, writer and designer Daisy de Villeneuve has become known for her felt tip illustrations. They have featured in her books, exhibitions and collaborations with the likes of Victoria & Albert Museum, Nike, Topshop, Transport for London etc.
Her latest collaboration is will Juicy Couture. It will see de Villeneuve draw, colour and sign one of three designs for any customers who make a purchase from Juicy Couture in Selfridges on Thursday 15 December, between 4pm -8pm.
More on her collaboration with Juicy Couture at Selfridges here and on Daisy de Villeneuve here.
Visit her site here.
Go See // Susie MacMurray Agnew’s Solo Debut
Thursday, November 10th, 2011
Two Hairnets, No. 4, 2011 – pen on paper by Susie MacMurray
Susie MacMurray Solo debut show at Agnew’s Gallery.
9th November – 2nd December, 2011.
Agnew’s, 35 Albemarle Street, London W1S 4JD.
Manchester based artist Susie MacMurray is fast becoming recognized for her large scale, site specific (particularly in within historic buildings) which encompass architectural installations, drawing and sculpture.
She memorably built a wall of silver plated mussel shells lined with velvet at Pallant House, Chichester; and hung 10,000 hairnets containing used violin bow hair in York St Mary’s in association with the York Museums Trust.
The former professional classical musician retrained as an artist, graduating with an MA in Fine Art in 2001. She has gone on to build an international exhibition profile. The show at Agnew’s first solo exhibition.
With each piece of work nothing is as quite as pretty, unassuming and as it looks. A wedding gown is constructed out of hundreds of household gloves pointing to the domestic reality that the romantic fairytale becomes, human hair looped through fish hooks and so on etc. Her recurrent theme of beauty and the sinister undertone is compelling.
The solo show coincides with her inclusion in the Victoria and Albert Museum’s The Power of Making exhibition.
More on Susie MacMurray’s solo show at Agnew’s here.
Go See // Hormazd Narielwalla Fairy-God, Fashion-Mother
Monday, October 31st, 2011Fairy-God Mother, Fashion-Mother art series by Hormazd Narielwalla. Images of artwork courtesy of Hormazd Narielwalla.
Hormazd Narielwalla: Fairy-God, Fashion-Mother.
8th November 2011 – 7th January 2012.
The Modern Pantry, 47-48 St John’s Square, Clerkenwell Square, EC1V 4JJ.
Artist Hormazd Narielwalla’s is intrigued with the interpretation of tailoring patterns. His work which mars the lines of illustration and art is an exploration of the human form through abstract shapes sourced from Savile Row bespoke tailoring patterns.
Narielwalla creates new perspective by taking the patterns out of their usual context.
This fascination with pattern blocks earned him the only International Rector’s Scholarship from the University of Arts, London at London College of Fashion; focusing on military tailoring patterns deriving a historical and artistic narrative on the construction of uniforms of the British Raj archived at the National Army Museum.
He notably held his first solo exhibition (entitled A Study on Anansi) at fashion designer Paul Smith’s London Mayfair gallery. Narielwalla has followed that October 2009 show by exhibiting in stores and galleries in Melbourne, Stockholm, Athens and London. He is also set to show at the upcoming Scope Art Fair in New York.
The artist is author of The Savile Row Cutter (a tailoring biography of Master Tailor Michael Skinner).
His eminent solo exhibition, Fairy-God, Fashion-Mother by Narielwalla is inspired by Diane Pernet. Initially shown in Athens – Greece (at 4 Fashionshake III by Ozon Magazine), the artist creates abstract forms around Pernet using patterns from three sources; reproductions of 1960s American paper dresses archived at ATOPOS cvc (a Greek cultural centre), bespoke Savile Row pattern now redundant due to clients having passed on and original tailoring pattern drafts from a Victorian cutting book (from the London College of Fashion).
Hormazd Narielwalla is creating art that uses patterns that span the historical course of pattern making. In so doing, he is unwittingly curating within his work, the history and stories of patterns. This is seen in his use of bespoke used patterns, the Victorian antiquated and the disposable 1960′s in the Fairy-God, Fashion-Mother collection.
Given that muse for the series Pernet, is a fashion curator, can this be seen as the case of the curator (Pernet that is) being part of the curated?
Hormazd Narielwalla is currently an art practitioner in a residency with Dege & Skinner, tailors in Savile Row and a PhD candidate at LCF.
Fairy-God, Fashion-Mother by Hormazd Narielwalla opens from 8th November 2011 till 7th January at The Modern Pantry.
More on the artist here.
Go See // Zebedee Jones Memory of Touch
Friday, October 7th, 2011Zebedee Jones: Recent Paintings
12th October – 4th November, 2011
Agnews Gallery, 35 Albemarle Street, London W1S 4JD
There is a seemingly sensory experience to the abstract work of Zebedee Jones. The layered surface of his monochromatic canvases speak of a textural depth that are part and parcel of Jones’ painting process.
The release about his work is quoted as saying – “Most obviously Jones’ paintings are suggestive of sensory experiences, which in part may be attributed to the artist’s life long hearing impairment. As highly tactile surfaces, a predominant part of perceiving these paintings is the memory of touch they invite.”
His solo exhibitions include; Karsten Schubert, London (1995), Waddington Galleries, London (1998), Green on Red Gallery, Dublin (1998), Danese, New York (1999), and Slewe Galerie, Amsterdam (2001) etc
Jones is exhibiting his recent work at Agnews, as part of their contemporary program. The exhibition which coincides with October’s Frieze Art Fair.
More on the exhibition here.
Go See // Richard Serra Junction / Cycle
Tuesday, October 4th, 2011Richard Serra: Junction (2011) / Cycle (2010)
September 14th, 2011 – November 26th, 2011
GAGOSIAN Gallery, 555 West 24th Street, New York, NY 10011.
Richard Serra is renowned for his large scale, minimalist, metal sheet sculpture. The American artist has been described as one of the most important artists of our time.
His monolithic work (you get a true understanding of scale in the second image, which sees the women pictured against his work) is found dotted across the globe. Vast site pieces such as Serra’s Fulcrum, which is near London’s Liverpool station, strongly challenge ones perception of space and size in relation to the piece.
Serra retrospectives have been held by The Metropolitan Museum of Art and The Museum of Modern Art.
The Gagosian Gallery on New York’s West 24th Street currently has on exhibition two of his latest work; Junction (2011) and Cycle (2010).
I explored the both within and around each. Never before have I felt so small (this is no easy feat given that I am 6ft1). I experienced trepidation and wonderment simultaneously.
Notions of space, movement and size are challenged and reexamined by Richard Serra’s Junction and Cycle exhibition.
More on the exhibition here.
Go See // Karl De Vroomen Presents This Is The First Thing
Wednesday, May 25th, 2011
Owl by Karl de Vroomen, 2011. Courtesy of Karl de Vroomen
Opus Art presents Karl De Vroomen exhibition, ‘This is the First Thing’.
23rd May – 28th May 2011.
At The Gallery on Cork Street, 28 Cork Street, London.
Opus Art comes to London to present Karl de Vroomen’s exhibition, ‘This is the First Thing’. De Vroomen is highly regarded in the art world, having exhibited with Saatchi (he has shown his work in New York, Newcastle upon Tyne, London and Manchester) to being shortlisted for the Sainbury’s Scholarship in Painting and Sculpture at the British School of Rome.
He is known for drawing upon the traditional aspects of Romanticism whilst depicting the poetry of the animal subjects or places he paints.
The title of De Vroomen’s exhibition takes its name from the opening line of Philip Larkin’s 1940′s poem. The body of work featured in the exhibition sees the artist explore the thematics of Larkin’s poem, ‘This is the First Thing’.
More on the exhibition here.





























































