No one quite encapsulates the ‘vavavoom’ meets tradition of the Italian woman by way of Sicily quite like Domenico Dolce and Stefano Gabbana. Always threading the delicate tight rope that is the balance between pious and sensual.
There is something to be said visually about presenting something in a new way. San Francisco Academy of Art University graduate Maria Romero was encouraged by her fashion school’s Director, Simon Ungless to show her graduate collection on dolls. The result is beautiful. The texture of the garments and actual film short as directed by Romero takes inspiration from ‘Dulces de Reliquias’ which are candies handed at Mexican Christmas Nativity plays. Sarah Burton of Alexander McQueen who was present at the preview of the film short offered Romero an internship.
I’ve always found the less traditional notions of beauty more compelling than their traditional counterparts. Like the beauty found in melancholy or how even beauty can be found in the seemingly ugly.
I think this Louis Vuitton collection is rather garish, but garish in a ‘can’t-get-it-out-of-my-head’ good way.
It is also what luxury should be about.
An aspirational experience that transports you from the ordinary monotony of a mundane existence to the fairytale, the dream.
The finish of fabrics, the considered palette, the workmanship of the embellishment and detailing in this collection speak of pure luxury.
I like how Nicolas Ghesquière takes references (and in this case it is wholly 80′s by nature) and gives his super sonic, future perfect version of them. Off course, they are always put through the Balenciaga school of couture like form too.
I remember thinking when I first saw this collection, that this is what fashion should be about. About reinvigorating and most importantly always having fun.
I’m struck time after time, season after season how truly special Dries Van Noten’s is as a fashion designer.
His insight into how women dress, there is always an unworn-everyday-deconstructed feel to how his clothes are styled that give them this approachability.
Then on the other hand you can rely on him for the special details; exquisite prints that just push and push the envelope, a color palette (he puts color together like a painter) that is so unexpected it instantly leaves you refreshed and finishing touches (like the gold embroidery) that are so beautiful they move you from the doldrums of an everyday existence to something dreamy.
When Bob Recine’s phenomenal legacy to the fashion & beauty industry comes to mind, so does the above quote.
His passion for his work inspires. Filmmaker Alison Chernick captures the magic that is his vision and work.
“I’m getting older but also I work in an industry I have sometimes mixed feelings about what we do because we convince people that they are not perfect enough, that they need this and they need that and we promote materialism that ultimately really is not the thing that brings you happiness in the world.
We do live in a material world, velvet feels good, cashmere feels good, colors excite us because we cansee, so there is a certain enjoyment to be gained by materialism and the material world but you have to keep it in perspective because really it’s nothing, we don’t anything in our life, we don’t own anything in the world. I usually think of it as just a bunch of stuff that I’m kind of swimming through in this life to go from here to wherever I go afterwards. But I have to say I do struggle because I’m attracted insome ways to beautiful things yet at the same time I am actually very aware of that in some sense that their lack of value and in some sense the most important things in life are your connections to other people so it’s a bit of a struggle.”
The above quote by Tom Ford in the above Tom Ford OWN Visionaires documentary that I found thought provoking. It is one that I relate to personally.
Whatever your thoughts on Ford, the history of 90′s fashion and brands like Yves Saint Laurent and Gucci were notably affected by his work and vision.
He is thus a central influencer within the puzzle that is modern day fashion, shaping what we wore and how we wore it.